非常好看的一套電影.
從她的虛假, 機心, 逐步深化地表達至她內心的軟弱和扭曲, 摻雜難分的內疚與仇恨
金子既是傷人者也是受害者. 一個受傷愈深的人愈是一個傷人愈狠的人.
相對白老師的人面獸心確然可恨, 但在片中佈局下也只是配菜.
最高潮的位置是金子舉起槍對準白老師的頭顱,
猶疑在對白老師的仇恨與對女兒的愛中間的苦苦掙扎裏.
最震撼人心的是金子向白老師的屍體開槍後, 似笑非笑, 似哭非哭的笑容.
消滅了仇恨的對象, 是否就可解決心中的仇恨?
消滅了真正的兇手, 是否就可解決心底的疚歉?
金子內心真正最終極的渴望, 彷彿就在她最後一頭裁在的那白色蛋糕裏.

It’s an interesting movie.
Starting at Geum-ja’s pretense, craftiness, and go deep into weakness and distortion in her heart, hatred mixed with guilt.
She’s both hurting and hurt. A person hurts more cruelly as she’s hurt so cruelly.
Baek is a wolf in sheep’s clothing and he’s of course hateful, however, he became garnish on the hands of the film director.
The critical moment is when Geum-ja put the gun on Baek’s head, struggled between hatred to Baek and love to her daughter.
The faint smiling cry of Geum-ja after she fired at Baek’s body is very impressing.
Is it possible that hatred solved after the target of hatred has been eliminated?
Is it possible that guilt solved after the true killer has been killed?
Seems that the final true need from the deep heart of Geum-ja is in the white cake which she caved her head into at the end of the story.